The Mechanisms Of Constructing The Critical Theory Of Poetry According To Ancient Maghreb Pioneers- Ibn Rashiq As A Model

Abstract

Critical engagement emanating from the thresholds and corners of heritage poetic texts in general, and more specifically the Maghrebin material, prompts us to draw from the rich knowledge left by critics and scholars of different colours, interests, opinions, and critical and rhetorical orientations. This would allow the critical reader to open up and delve into these areas, with a large number of perspectives and perceptions; through interpretation, expansion and deduction, especially since "poetry as a term, concept and issue" has occupied pens and scholars for quite some time; it has not remained hostage to the Greek or Oriental library only.

In addition to its artistic dimension that transcends nationalities and frees itself from collective and even individual ideas, convergence and divergence, agreement, disagreement and parallelism, it transcends the geography of countries as an inevitable result of the deep and effective impact that it leaves in the mind of both the critic and the reader in their attempt to capture an explanation of the hidden feelings and sensations; which only lasts for several times, given that poetry elevates itself along with the highest human ideals; each age has its own men, in addition to the multiplicity of concepts that lead us to the difference in the argument, and the latter leads us to new discoveries and horizons; more receptive to the most acceptable In addition, the multiplicity of concepts leads us to a difference in argumentation, and this latter leads us to new discoveries and horizons; accepting more than one opinion and interpretation, which we would not have reached in fact by contenting ourselves with the opinions of the Orientals without detracting from their critical material and knowledge expertise.